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</description><title>MiBlog &amp;rsaquo; Murray Smith's Tumblr</title><generator>Tumblr (3.0; @mismith)</generator><link>http://blog.mismith.info/</link><item><title>Photo</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_krg6b7Scno1qzdwano1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;</description><link>http://blog.mismith.info/post/437664437</link><guid>http://blog.mismith.info/post/437664437</guid><pubDate>Tue, 09 Mar 2010 16:17:59 -0700</pubDate></item><item><title>"The wrong view of science betrays itself in the craving to be right; for it is not his possession of..."</title><description>“The wrong view of science betrays itself in the craving to be right; for it is not his possession of knowledge, of irrefutable truth, that makes the man of science, but his persistent and recklessly critical quest for truth.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Sir &lt;a title="Karl  Popper"&gt;Karl Popper&lt;/a&gt;&lt;/em&gt;</description><link>http://blog.mismith.info/post/436112592</link><guid>http://blog.mismith.info/post/436112592</guid><pubDate>Mon, 08 Mar 2010 21:22:43 -0700</pubDate></item><item><title>Oscars 2010</title><description>&lt;p&gt;&lt;p class="p1"&gt;“the greatest promotion scheme that any industry ever devised for itself”&lt;/p&gt;
&lt;p class="p1"&gt;&lt;b&gt;Legend&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Probably gonna win&lt;/span&gt;&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;Might win / Maybe&lt;/span&gt;&lt;/li&gt;
&lt;li class="li5"&gt;&lt;span class="s2"&gt;If I had it my way&lt;/span&gt;&lt;/li&gt;
&lt;li class="li6"&gt;&lt;span class="s2"&gt;Better not!&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;Haven’t seen it / Can’t say&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Picture&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Avatar&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;The Blind Side&lt;/li&gt;
&lt;li class="li1"&gt;&lt;span class="s2"&gt;District 9&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;&lt;span class="s2"&gt;An Education&lt;/span&gt;&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;The Hurt Locker&lt;/span&gt;&lt;/li&gt;
&lt;li class="li5"&gt;&lt;span class="s2"&gt;Inglourious Basterds&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;Precious: Based on the Novel “Push” by Sapphire&lt;/li&gt;
&lt;li class="li6"&gt;&lt;span class="s2"&gt;A Serious Man&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;&lt;span class="s2"&gt;Up&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;&lt;span class="s2"&gt;Up in the Air&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Director&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li1"&gt;Kathryn Bigelow – &lt;span class="s2"&gt;The Hurt Locker&lt;/span&gt;
&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;James Cameron – Avatar&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;Lee Daniels – Precious: Based on the Novel “Push” by Sapphire&lt;/li&gt;
&lt;li class="li6"&gt;&lt;span class="s2"&gt;Jason Reitman – Up in the Air&lt;/span&gt;&lt;/li&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Quentin Tarantino – Inglourious Basterds&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Actor&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;Jeff Bridges – Crazy Heart as Bad Blake&lt;/span&gt;&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;George Clooney – Up in the Air as Ryan Bingham&lt;/span&gt;&lt;/li&gt;
&lt;li class="li6"&gt;&lt;span class="s2"&gt;Colin Firth – A Single Man as George Falconer&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;Morgan Freeman – Invictus as Nelson Mandela&lt;/li&gt;
&lt;li class="li1"&gt;Jeremy Renner – &lt;span class="s2"&gt;The Hurt Locker&lt;/span&gt; as Sgt. William James&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Actress&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;Sandra Bullock – The Blind Side as Leigh Anne Tuohy&lt;/li&gt;
&lt;li class="li7"&gt;Helen Mirren – The Last Station as Sofya Tolstoy&lt;/li&gt;
&lt;li class="li5"&gt;&lt;span class="s2"&gt;Carey Mulligan – An Education as Jenny Miller&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;Gabourey Sidibe – Precious: Based on the Novel “Push” by Sapphire as Claireece “Precious” Jones&lt;/li&gt;
&lt;li class="li7"&gt;Meryl Streep – Julie &amp; Julia as Julia Child&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Supporting Actor&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;Matt Damon – Invictus as François Pienaar&lt;/li&gt;
&lt;li class="li7"&gt;Woody Harrelson – The Messenger as Capt. Tony Stone&lt;/li&gt;
&lt;li class="li7"&gt;Christopher Plummer – The Last Station as Leo Tolstoy&lt;/li&gt;
&lt;li class="li7"&gt;Stanley Tucci – The Lovely Bones as George Harvey&lt;/li&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Christoph Waltz – Inglourious Basterds as Col. Hans Landa&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Supporting Actress&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;Penélope Cruz – Nine as Carla Albanese&lt;/li&gt;
&lt;li class="li5"&gt;&lt;span class="s2"&gt;Vera Farmiga – Up in the Air as Alex Goran&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;Maggie Gyllenhaal – Crazy Heart as Jean Craddock&lt;/li&gt;
&lt;li class="li6"&gt;&lt;span class="s2"&gt;Anna Kendrick – Up in the Air as Natalie Keener&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;Mo’Nique – Precious: Based on the Novel “Push” by Sapphire as Mary Lee Johnston&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Original Screenplay&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;The Hurt Locker – Mark Boal&lt;/span&gt;&lt;/li&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Inglourious Basterds – Quentin Tarantino&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;The Messenger – Alessandro Camon and Oren Moverman&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;A Serious Man&lt;/span&gt; – Joel Coen and Ethan Coen&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Up&lt;/span&gt; – Tom McCarthy, Bob Peterson and Pete Docter&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Adapted Screenplay&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;District 9&lt;/span&gt; – Neill Blomkamp and Terri Tatchell from Alive in Joburg by Blomkamp&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;An Education – Nick Hornby from An Education by Lynn Barber&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;In the Loop – Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche from The Thick of It created by Iannucci&lt;/li&gt;
&lt;li class="li7"&gt;Precious: Based on the Novel “Push” by Sapphire – Geoffrey Fletcher from Push by Sapphire&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Up in the Air&lt;/span&gt; – Jason Reitman and Sheldon Turner from Up in the Air by Walter Kirn&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Animated Feature&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;Coraline – Henry Selick&lt;/li&gt;
&lt;li class="li7"&gt;Fantastic Mr. Fox – Wes Anderson&lt;/li&gt;
&lt;li class="li7"&gt;The Princess and the Frog – Ron Clements and John Musker&lt;/li&gt;
&lt;li class="li7"&gt;The Secret of Kells – Tomm Moore&lt;/li&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Up – Pete Docter&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Foreign Language Film&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;Ajami (Israel) in Arabic and Hebrew – Scandar Copti and Yaron Shani&lt;/li&gt;
&lt;li class="li7"&gt;El Secreto de Sus Ojos (Argentina) in Spanish – Juan José Campanella&lt;/li&gt;
&lt;li class="li7"&gt;The Milk of Sorrow (Peru) in Spanish and Quechua – Claudia Llosa&lt;/li&gt;
&lt;li class="li7"&gt;Un Prophète (France) in French, Corsican and Arabic – Jacques Audiard&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;The White Ribbon&lt;/span&gt; (Germany) in German – Michael Haneke&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Documentary Feature&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Burma VJ – Anders Østergaard and Lise Lense-Møller&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;The Cove – Louie Psihoyos and Fisher Stevens&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Food, Inc.&lt;/span&gt; – Robert Kenner and Elise Pearlstein&lt;/li&gt;
&lt;li class="li7"&gt;The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers – Judith Ehrlich and Rick Goldsmith&lt;/li&gt;
&lt;li class="li7"&gt;Which Way Home – Rebecca Cammisa&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Documentary Short&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;China’s Unnatural Disaster: The Tears of Sichuan Province – Jon Alpert and Matthew O’Neill&lt;/li&gt;
&lt;li class="li7"&gt;The Last Campaign of Governor Booth Gardner – Daniel Junge and Henry Ansbacher&lt;/li&gt;
&lt;li class="li7"&gt;The Last Truck: Closing of a GM Plant – Steven Bognar and Julia Reichert&lt;/li&gt;
&lt;li class="li7"&gt;Music by Prudence – Roger Ross Williams and Elinor Burkett&lt;/li&gt;
&lt;li class="li7"&gt;Rabbit à la Berlin – Bartosz Konopka and Anna Wydra&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Live Action Short&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;The Door – Juanita Wilson and James Flynn&lt;/span&gt;&lt;/li&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Instead of Abracadabra – Patrik Eklund and Mathias Fjellström&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Kavi&lt;/span&gt; – Gregg Helvey&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Miracle Fish&lt;/span&gt; – Luke Doolan and Drew Bailey&lt;/li&gt;
&lt;li class="li6"&gt;&lt;span class="s2"&gt;The New Tenants – Joachim Back and Tivi Magnusson&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Animated Short&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;French Roast – Fabrice O. Joubert&lt;/li&gt;
&lt;li class="li7"&gt;Granny O’Grimm’s Sleeping Beauty – Nicky Phelan and Darragh O’Connell&lt;/li&gt;
&lt;li class="li7"&gt;The Lady and the Reaper – Javier Recio Gracia&lt;/li&gt;
&lt;li class="li7"&gt;Logorama – Nicolas Schmerkin&lt;/li&gt;
&lt;li class="li7"&gt;A Matter of Loaf and Death – Nick Park&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Original Score&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Avatar&lt;/span&gt; – James Horner&lt;/li&gt;
&lt;li class="li7"&gt;Fantastic Mr. Fox – Alexandre Desplat&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;The Hurt Locker&lt;/span&gt; – Marco Beltrami and Buck Sanders&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Sherlock Holmes&lt;/span&gt; – Hans Zimmer&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;Up – Michael Giacchino&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Original Song&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;“Almost There” from The Princess and the Frog – Randy Newman&lt;/li&gt;
&lt;li class="li7"&gt;“Down in New Orleans” from The Princess and the Frog – Randy Newman&lt;/li&gt;
&lt;li class="li7"&gt;“Loin de Paname” from Paris 36 – Reinhardt Wagner and Frank Thomas&lt;/li&gt;
&lt;li class="li7"&gt;“Take it All” from Nine – Maury Yeston&lt;/li&gt;
&lt;li class="li7"&gt;“The Weary Kind (Theme from Crazy Heart)” from Crazy Heart – Ryan Bingham and T-Bone Burnett&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Sound Editing&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Avatar – Christopher Boyes and Gwendolyn Yates Whittle&lt;/span&gt;&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;The Hurt Locker – Paul N.J. Ottosson&lt;/span&gt;&lt;/li&gt;
&lt;li class="li5"&gt;&lt;span class="s2"&gt;Inglourious Basterds – Wylie Stateman&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Star Trek&lt;/span&gt; – Mark Stoeckinger and Alan Rankin&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Up&lt;/span&gt; – Michael Silvers and Tom Myers&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Sound Mixing&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Avatar – Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson&lt;/span&gt;&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;The Hurt Locker – Paul N.J. Ottosson and Ray Beckett&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Inglourious Basterds&lt;/span&gt; – Michael Minkler, Tony Lamberti and Mark Ulano&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Star Trek&lt;/span&gt; – Anna Behlmer, Andy Nelson and Peter J. Devlin&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Transformers: Revenge of the Fallen&lt;/span&gt; – Greg P. Russell, Gary Summers and Geoffrey Patterson&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Art Direction&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Avatar – Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;The Imaginarium of Dr. Parnassus&lt;/span&gt; – Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith&lt;/li&gt;
&lt;li class="li7"&gt;Nine – Art Direction: John Myhre; Set Decoration: Gordon Sim&lt;/li&gt;
&lt;li class="li6"&gt;&lt;span class="s2"&gt;Sherlock Holmes – Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;The Young Victoria – Art Direction: Patrice Vermette; Set Decoration: Maggie Gray&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Cinematography&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Avatar – Mauro Fiore&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;Harry Potter and the Half-Blood Prince – Bruno Delbonnel&lt;/li&gt;
&lt;li class="li6"&gt;&lt;span class="s2"&gt;The Hurt Locker – Barry Ackroyd&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Inglourious Basterds&lt;/span&gt; – Robert Richardson&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;The White Ribbon&lt;/span&gt; – Christian Berger&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Makeup&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;Il Divo – Aldo Signoretti and Vittorio Sodano&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Star Trek&lt;/span&gt; – Barney Burman, Mindy Hall and Joel Harlow&lt;/li&gt;
&lt;li class="li7"&gt;The Young Victoria – Jon Henry Gordon and Jenny Shircore&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Costume Design&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li7"&gt;Bright Star – Janet Patterson&lt;/li&gt;
&lt;li class="li7"&gt;Coco Before Chanel – Catherine Leterrier&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;The Imaginarium of Dr. Parnassus&lt;/span&gt; – Monique Prudhomme&lt;/li&gt;
&lt;li class="li7"&gt;Nine – Colleen Atwood&lt;/li&gt;
&lt;li class="li7"&gt;The Young Victoria – Sandy Powell&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Film Editing&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li6"&gt;&lt;span class="s2"&gt;Avatar – James Cameron, John Refoua and Stephen E. Rivkin&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;District 9&lt;/span&gt; – Julian Clarke&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;The Hurt Locker – Chris Innis and Bob Murawski&lt;/span&gt;&lt;/li&gt;
&lt;li class="li4"&gt;&lt;span class="s2"&gt;Inglourious Basterds – Sally Menke&lt;/span&gt;&lt;/li&gt;
&lt;li class="li7"&gt;Precious: Based on the Novel “Push” by Sapphire – Joe Klotz&lt;/li&gt;
&lt;/ul&gt;
&lt;p class="p1"&gt;&lt;b&gt;Best Visual Effects&lt;/b&gt;&lt;/p&gt;
&lt;ul class="ul1"&gt;
&lt;li class="li3"&gt;&lt;span class="s2"&gt;Avatar – Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones&lt;/span&gt;&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;District 9&lt;/span&gt; – Dan Kaufman, Peter Muyzers, Robert Habros, and Matt Aitken&lt;/li&gt;
&lt;li class="li1"&gt;
&lt;span class="s2"&gt;Star Trek&lt;/span&gt; – Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;</description><link>http://blog.mismith.info/post/431314077</link><guid>http://blog.mismith.info/post/431314077</guid><pubDate>Sat, 06 Mar 2010 18:45:00 -0700</pubDate><category>film:featured</category><category>film</category></item><item><title>postmodernista:

mudwerks:

mabelmoments:

Sculpture By The Sea,...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_kyuo4euSAn1qz7tiao1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://postmodernista.tumblr.com/post/430530941/mudwerks-mabelmoments-sculpture-by-the-sea"&gt;postmodernista&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href="http://mudwerks.tumblr.com/post/430512521/mabelmoments-sculpture-by-the-sea-cott-beach"&gt;mudwerks&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href="http://mabelmoments.tumblr.com/post/429861033/sculpture-by-the-sea-cott-beach"&gt;mabelmoments&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Sculpture By The Sea, Cott Beach&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;</description><link>http://blog.mismith.info/post/430614421</link><guid>http://blog.mismith.info/post/430614421</guid><pubDate>Sat, 06 Mar 2010 11:25:05 -0700</pubDate></item><item><title>Photo</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_kyk3fbYUEQ1qayc5yo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;</description><link>http://blog.mismith.info/post/420089145</link><guid>http://blog.mismith.info/post/420089145</guid><pubDate>Mon, 01 Mar 2010 09:44:34 -0700</pubDate></item><item><title>On a lighter note, check out this awesome short video recently...</title><description>&lt;object width="400" height="336"&gt;&lt;param name="movie" value="http://www.youtube.com/v/rm38f1kOPy4&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/rm38f1kOPy4&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1" type="application/x-shockwave-flash" width="400" height="336" allowFullScreen="true" wmode="transparent"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;On a lighter note, check out this awesome short video recently written/directed/everythinged by a friend of mine, &lt;a href="http://prettyokaypictures.com/films/"&gt;Luke Black&lt;/a&gt;. He has some other swag vids kicking around his site too, if you like what you see.&lt;/p&gt;</description><link>http://blog.mismith.info/post/419566060</link><guid>http://blog.mismith.info/post/419566060</guid><pubDate>Mon, 01 Mar 2010 02:04:38 -0700</pubDate><category>film:featured</category></item><item><title>The Olympics are sweet.</title><description>&lt;p&gt;The Olympics are sweet. When else do you get to see a country blatantly foregoing its usually tactful ideological dissemination in favour of pop-y, widest-possible-appeal all-out stunts of patriotism? Well, besides war, that is. But seriously, this was certainly the most flawless Olympics I’ve ever heard  of or experienced.&lt;/p&gt;
&lt;p&gt;The shot of Alexandre Bilodeau during that (embarassingly-bad-French’d) speech got to my emotions more than any other simply because it seemed, to me, to be totally spontaneous, humbling and sincere. Surely there’s no greater way than video (of an actual event) to instantly inspire an emotional experience in distant viewers. I mean, when Crosby scored—I kid you not—my whole family jumped in unison! Stephen Harper would be so damned proud. And I can’t help but think he is: Vancouver 2010 went off virtually without a hitch—with Canada on top. A broken record here, a touching personal story there, world attention in between, and a spotlight on our Indigenous righteousness whereever possible. Maybe the closing ceremonies could have been a little more tongue-in-cheek—sure the announcers made a strong point of it throughout—but I’m not so sure I would’ve picked up on that had the TV been on another network, or had I been from another country, for that matter.&lt;/p&gt;
&lt;p&gt;I’m still perplexed by Lloyd Robinson’s (twice repeated) comment that the Olympics are so great because “no one”, not the “government” and not any “big companies” told us to watch them, so we just do it ourselves, more than any other TV event, obviously because we are so passionate about the athletes (whose names we only just learned (and will soon forget)) and this great country we call home. This might strike you as conspiracy theory, but if you think the Olympics (via TV) is (just) about sports, then you’re either watching all your footage as downloaded from torrents, with the commericals removed, or you’re too fucking excited to care. I digress: I can already see myself starting to give up on my hardcore moral values in favour of ones that are more socially appealing—I’ll look back on myself at 21, this blog post even, as being naïve, no doubt—but fuck I wish I could figure out why I have to do this. Here’s to hoping this will give my future self a good shock back into reality, if need be.&lt;/p&gt;</description><link>http://blog.mismith.info/post/419555849</link><guid>http://blog.mismith.info/post/419555849</guid><pubDate>Mon, 01 Mar 2010 01:54:41 -0700</pubDate></item><item><title>"I think that’s what I love about my life. There’s no maniacal master plan. It’s just unfolding..."</title><description>“I think that’s what I love about my life. There’s no maniacal master plan. It’s just unfolding before me.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Cate Blanchett&lt;/em&gt;</description><link>http://blog.mismith.info/post/414750068</link><guid>http://blog.mismith.info/post/414750068</guid><pubDate>Fri, 26 Feb 2010 22:17:32 -0700</pubDate></item><item><title>An interesting question, I think. About 2 min in.</title><description>&lt;embed src="http://media1.nfb.ca/medias/flash/ONFflvplayer-gama.swf" width="400" height="261" allowfullscreen="true" allowscriptaccess="always" flashvars="mID=IDOBJ543&amp;bufferTime=10&amp;width=516&amp;height=337&amp;image=http://media1.nfb.ca/medias/nfb_tube/thumbs_large/2008/examined_life_big.jpg&amp;showWarningMessages=false&amp;streamNotFoundDelay=15&amp;lang=en&amp;getPlaylistOnEnd=true&amp;playlist_id=REL179&amp;embeddedMode=true"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;An interesting question, I think. About 2 min in.&lt;/p&gt;</description><link>http://blog.mismith.info/post/410554155</link><guid>http://blog.mismith.info/post/410554155</guid><pubDate>Wed, 24 Feb 2010 22:14:44 -0700</pubDate><category>film</category></item><item><title>I just had MSN sex</title><description>Shasta: hi&lt;br /&gt;&#13;
Murray: hey&lt;br /&gt;&#13;
Shasta: hi how are you today?&lt;br /&gt;&#13;
Murray: (who is this, btw? i never go on msn anymore, so im kinda out of the loop)&lt;br /&gt;&#13;
Shasta: my name is  kaylee I'm doing great today I'm 21 yrs old how old are you?&lt;br /&gt;&#13;
Murray: same&lt;br /&gt;&#13;
Shasta: listen hun, I am just about to start my webcam show with jen, come chat me there in my chat room? We can cyber, I will get naked if u do..lol!&lt;br /&gt;&#13;
Murray: OMFG SOUNDSSS LIKE A PARTYYY!!!!!!! !!!!1111&lt;br /&gt;&#13;
Shasta: I can show u how to watch free if u promise not to tell anyone else how to do it???PLEASE:-$&lt;br /&gt;&#13;
Murray: LOLZ I CANT WAIT TO HOOK UP WITH YOU KAYLEEEEEE&lt;br /&gt;&#13;
Murray: SHOW ME THE MONEY!!&lt;br /&gt;&#13;
Shasta: well since its free the law that u gotta be 18 (nudity involved), u have to sign up with a credit card for age verification! BUT .. Once you are inside, just clikc on "Webcams" let me know what name you use to sign in with so I know it is you babe! http://www.localchatroomchicks.com/sue   fill out the bottom of the page then fill out the next page as well and u can see me live for free!&lt;br /&gt;&#13;
Murray: ok ill do that right away, but only if your name is kaylee, sue&lt;br /&gt;&#13;
Shasta: Please dont mention anything about that in the chatroom once u get in ok?:-$&lt;br /&gt;&#13;
Murray: ARE you the good kind or robot, or shold i wear my special pants??&lt;br /&gt;&#13;
Shasta: OH SHIT.. k I am late to start my show, I gotta get off msn...I will see ya inside my chatroom babe.. remember not to mention that I am upgrading u for free... You can use your msn name to sign in so i know it is you..&lt;br /&gt;&#13;
Murray: no, i have another one in mind&lt;br /&gt;&#13;
Shasta: AUTO-RESPONSE: hey just in the middle of my free webcam show if you want to watch click the link http://www.localchatroomchicks.com/sue  &lt;br /&gt;&#13;
Murray: ARE YOU FUCKING KIDDING ME!&lt;br /&gt;&#13;
Shasta: AUTO-RESPONSE: hey just in the middle of my free webcam show if you want to watch click the link http://www.localchatroomchicks.com/sue  &lt;br /&gt;&#13;
Murray: I WAS GETTING SO HORNY!!!!!!!!??&lt;br /&gt;&#13;
Shasta: AUTO-RESPONSE: hey just in the middle of my free webcam show if you want to watch click the link http://www.localchatroomchicks.com/sue  &lt;br /&gt;&#13;
Murray: bitch</description><link>http://blog.mismith.info/post/398016089</link><guid>http://blog.mismith.info/post/398016089</guid><pubDate>Thu, 18 Feb 2010 22:28:14 -0700</pubDate></item><item><title>Because I Got It Like That (Ultimate Mix) – Fatboy Slim
This is...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://blog.mismith.info/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/397063386/tumblr_ky2083a7LJ1qz9bxj&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Because I Got It Like That (Ultimate Mix) – Fatboy Slim&lt;/p&gt;
&lt;p&gt;This is totally my pump-up song for Vegas.&lt;/p&gt;</description><link>http://blog.mismith.info/post/397063386</link><guid>http://blog.mismith.info/post/397063386</guid><pubDate>Thu, 18 Feb 2010 13:14:27 -0700</pubDate></item><item><title>For all you crazies out there (like me) who enjoy having their...</title><description>&lt;object type="application/x-shockwave-flash" width="400" height="287" data="http://vimeo.com/moogaloop.swf?clip_id=9421943&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF"&gt;&lt;param name="quality" value="best" /&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="scale" value="showAll" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=9421943&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF" /&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;For all you crazies out there (like me) who enjoy having their brains explode via 2 and a half hour barrages of intelligent, critical information, promptly obtain a &lt;a href="http://thepiratebay.org/torrent/4719720/Manufacturing_Consent__Noam_Chomsky_and_the_Media_%281992%29_-_Xvid_"&gt;copy&lt;/a&gt; of &lt;a href="http://en.wikipedia.org/wiki/Manufacturing_Consent:_Noam_Chomsky_and_the_Media"&gt;Manufacturing Consent: Noam Chomsky and the Media&lt;/a&gt;.&lt;/p&gt;</description><link>http://blog.mismith.info/post/387080831</link><guid>http://blog.mismith.info/post/387080831</guid><pubDate>Sat, 13 Feb 2010 04:13:49 -0700</pubDate><category>film</category></item><item><title>WARNING: If you like the Olympics, please don’t watch this...</title><description>&lt;object type="application/x-shockwave-flash" width="400" height="287" data="http://vimeo.com/moogaloop.swf?clip_id=9421921&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF"&gt;&lt;param name="quality" value="best" /&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="scale" value="showAll" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=9421921&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF" /&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;WARNING: If you like the Olympics, please don’t watch this video.&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Posting this kind of shit on tumblr kills my potential social life.&lt;/p&gt;
&lt;p&gt;My rebuttal: &lt;i&gt;Play&lt;/i&gt; sports.&lt;/p&gt;</description><link>http://blog.mismith.info/post/387079547</link><guid>http://blog.mismith.info/post/387079547</guid><pubDate>Sat, 13 Feb 2010 04:12:00 -0700</pubDate><category>film</category></item><item><title>Colin Mochrie FTW.</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_kxr001ke621qzgcpyo1_250.gif"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.colinmochrie.com/"&gt;Colin Mochrie&lt;/a&gt; FTW.&lt;/p&gt;</description><link>http://blog.mismith.info/post/386628969</link><guid>http://blog.mismith.info/post/386628969</guid><pubDate>Fri, 12 Feb 2010 21:26:20 -0700</pubDate></item><item><title>From a series of 30 examples of urban decay photography,...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_kxopdbH8X91qz9bxjo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;From a series of 30 examples of urban decay photography, viewable &lt;a href="http://webdesignledger.com/inspiration/30-incredible-examples-of-urban-decay-photography"&gt;here&lt;/a&gt;.&lt;/p&gt;</description><link>http://blog.mismith.info/post/383872938</link><guid>http://blog.mismith.info/post/383872938</guid><pubDate>Thu, 11 Feb 2010 08:51:00 -0700</pubDate><category>photography</category></item><item><title>Original content for the day:
My cake-making warmup from a few...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://26.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo3_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://27.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo4_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://29.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo5_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://26.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo6_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo7_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://28.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo9_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://28.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo10_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://29.media.tumblr.com/tumblr_kxnx24NFVc1qz9bxjo11_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;Original content for the day:&lt;/p&gt;
&lt;p&gt;My cake-making warmup from a few weeks ago. This is what happens when mom leaves cake mix sitting invitingly on counter for many days…&lt;/p&gt;</description><link>http://blog.mismith.info/post/383214061</link><guid>http://blog.mismith.info/post/383214061</guid><pubDate>Wed, 10 Feb 2010 22:39:40 -0700</pubDate></item><item><title>Millionaire ditches capitalism in favour of intelligent charity. - A headline I'd love to read more often.</title><description>&lt;a href="http://www.telegraph.co.uk/news/worldnews/europe/austria/7190750/Millionaire-gives-away-fortune-which-made-him-miserable.html"&gt;Millionaire ditches capitalism in favour of intelligent charity. - A headline I'd love to read more often.&lt;/a&gt;</description><link>http://blog.mismith.info/post/383181323</link><guid>http://blog.mismith.info/post/383181323</guid><pubDate>Wed, 10 Feb 2010 22:20:23 -0700</pubDate><category>projectsumption</category></item><item><title>Photo</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_kxnw3rAGtX1qz9bxjo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;</description><link>http://blog.mismith.info/post/383178993</link><guid>http://blog.mismith.info/post/383178993</guid><pubDate>Wed, 10 Feb 2010 22:19:01 -0700</pubDate></item><item><title>Neat.</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_kxnvxxVxkT1qz9bxjo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Neat.&lt;/p&gt;</description><link>http://blog.mismith.info/post/383172751</link><guid>http://blog.mismith.info/post/383172751</guid><pubDate>Wed, 10 Feb 2010 22:15:32 -0700</pubDate><category>photography</category></item><item><title>Howdy from Rotterdam</title><description>&lt;a href="http://www.csif.org/csif/index.php?option=com_lyftenbloggie&amp;view=entry&amp;year=2010&amp;month=01&amp;day=29&amp;id=44%3ahowdy-from-rotterdam&amp;sms_ss=tumblr"&gt;Howdy from Rotterdam&lt;/a&gt;: &lt;p&gt;A good read about the beauty and importance of talking about movies &lt;i&gt;at&lt;/i&gt; the theatre, penned by a friend currently at the film fest in Rotterdam!&lt;/p&gt;</description><link>http://blog.mismith.info/post/379351914</link><guid>http://blog.mismith.info/post/379351914</guid><pubDate>Mon, 08 Feb 2010 21:35:56 -0700</pubDate><category>film</category></item></channel></rss>
